Krakow – films, a thunderstorm and a stolen sim card!
After arriving the night before, and enjoying a lovely plate of Polish dumplings as a late dinner, followed by a complimentary shot of plum vodka (love Eastern Europe!) and a good sleep, I was ready for my first of just two days at the Krakow Film Festival. This was my first time at the festival and I had heard great things about it – both from Derry who was a guest last year and also from Ben Cleary of Stutterer, who was on the jury the same year.
The weather was hot, and there was a thunder storm due in this beautiful city. I spent some of the morning in the video library digging into the shorts. This is a generous video library space with a very easy to use portal. In the competitive shorts section, there is a very eclectic mix of docs, lots of animation and to a lesser extent live action. The all have a certain amount in common...they are all excellent quality, most are a very long length (over 20 minutes)...and have very depressing subject matters. Domestic abuse from Korea. A wife’s dark secret about a death from Iran. Gun violence in the US. Close up of the death penalty in the US. Immigration tragedies in Europe. Children in war. Thankfully some (but not enough) lighter ones too - the philosophy of aging from Germany, a very funny dark comedy in a nursing home from Israel, and the emotional rollercoaster of a...GIF (yes.) But seriously, lighten up, programmers!
The rest of the day was taken up with the dedicated animated pitching awards, followed by one on one meetings. This session makes Krakow somewhat stand out from other festivals I know. Sales agents and festivals are requested to attend these scheduled sessions. These Polish student animation projects, some nearly finished, some looking for more funding, were an interesting insight into the creative minds of new young(albeit nervous!) animators. Even if only maybe one looked like it would be commercial enough for NITV. Many come from the College of Fine Arts in Warsaw or have backing from the likes of Munk Studios, which are big production company in Poland. These sessions are definitely valuable to these young animators. Meeting sales agents and festivals gave them (I hope) their first real insight into “life outside college” and how you might strategise getting your film to the right audiences and even in some cases, recognising that it could be sold commercially. Putting it straight up online is not the only way! I hope the students learnt even a little from the meetings. After those, there were more one on one meetings with more experienced filmmakers and producers, looking for distributors. Again, some good contacts made and some very interesting docs (solar car racing across South Africa and Australia, anyone?!), which we hope to view. I am already receiving emails. Even if nothing necessarily comes of this, I still got a lot of value out of these sessions, and wish that more international festivals would offer these “speed dating” meetings.
Afterwards it was straight to the evening festival drinks to mingle (and hide from the thunder storm!) Then some of us (Chris Tidman of G&T Content, Georg Gruber of Magnet Film, German producer Till Schauder, Rich Warren of Encounters Film Festival and myself) went for a nice meaty dinner. Except I had swordfish! Delish.
More shorts to watch in the library, plus an adventure finally finding my lost phone, and realising my sim card had been stolen from it! (Polish thieves are not easy to understand!) Later on Anna Kot of Munk Studios invited me to their drinks reception, where I met some interesting new people including Mridu Chandra of the Tribeca Film Institute who just arrived, Lindsay Crouse of New York Times Docs platform, and Brid O’Sea of Doc Leipzig (who’s Australian, not Irish!) Then before I knew it, it was time to go to the airport. I really would have liked to stay another night and gotten into some programme screenings but time would not allow! It’s an impressively well run festival (everything started on time!) and a good atmosphere. There was a distinct emphasis on documentary and animation, which was a little different. And what a beautiful city. There were some strong films in competition, depressing as they are, and it will be interesting to see who gets those three Academy qualifying awards!
Madam Black Filmmaker's Blog: New Zealand to Palm Springs
Coming into Palm Springs, my first impression was that I'd stepped into scene from Mad Max. On the flight in, the co-pilot said they'd been held up for seven hours the day before due to inclement weather. Not fog or thunderstorms - the only kind of weather to hold up New Zealand flights - instead it was too sunny. The heat rising off the runway meant the plane could get no traction from the air to achieve liftoff. As soon as I walked out of the terminal, it made sense. It was a bit like walking into the aftermath of a nuclear holocaust: the 110 degree heat, the concrete runways, desert plains, barren mountains and parking lots. I worried I might die of heatstroke before I even made it to my hotel.
Fortunately the organisers and helpers at Shortfest have been as warm as the climate, and have constantly plied me with bottled water and advice on staying cool. One of the local sayings is: if you go for a walk, always take water and turn back when your bottle is half empty. Even sticking to that advice hasn't completely protected me from what they call the 'desert madness'. I've still burnt the bridge of my nose after leaving my sunglasses on my head for a few minutes, gotten lost in the corridors of the Renaissance hotel, and had hallucinatory dreams about the poolside punters with plastic surgery. Not that I'm complaining at all - the heat has been a welcome relief from the New Zealand winter.
The festival itself has been wonderful. From the outset, it was heartening to see the opening shot of Madam Black in the Shortfest promo clip, and meet people who had already seen the film (and its taxidermied star, who I'd brought with me) on the circuit. Handing around postcards and talking to other filmmakers and industry members no doubt helped to generate interest in the film, but an unexpected boost came from Ethylina Canne and Jazmyn Simone-Échelon, two well-known cross-dressing performers who fell in love with the cat and helped promote the screening on social media. Palm Springs has a large LGBT community and with the recent Orlando shootings still a hot topic, it was satisfying to bring a story which is essentially about accepting others' stories and accounts - especially when being kind means bending your own version of the truth. Needless to say, the say the film was very popular. Our screening sold out and afterward there were countless requests for selfies with the cat. I even signed a few autographs - another first for me.
The networking opportunities were solid too. Among the highlights has been meeting and pitching to Moises Velez - Director of Development at Warner Brothers; chatting to Ian Durkin of Vimeo Staff Picks about the new online content they're producing; and meeting filmmakers like Abby Davis from Preferred Content, and Sophia Takal from Little Teeth Pictures. They were all refreshingly honest, and had great advice on what areas of content creation are gaining momentum in the US at present - mainly episodic streaming type shows in both documentary and fictional formats.
Although I've managed to get over my desert madness for the most part, as I drive out to the airport now in the dark it's hard to make out the difference between the massive sparsely-occupied parking lots which break up the city, and the undeveloped tracts of desert sprinkled with manzanita shrubs and tumbleweed. My memories of the place will be enormously fond - if a little heat-hazed.
Violet Director's Festival Blog - Tribeca
Thursday - 21/04/16
The Tribeca Film Festival has been one of our best festival experiences yet. First of all, just being in New York makes you feel like you’re actually in a film. I doubt Scorsese would ever make a film about Maurice buying slippers in China Town but the backdrop looked the part.
Myself, Maurice (director), Nuria (producer) and Sophie (wife), all made the trip and we met Dean Valentine and his wife, Simo, over there. Dean composed the music for Violet and, although he looked us in the eye and told us that Violet was the only film for him, he was really over there to see the film ‘Tiger Raid’. It turns out he composed the score for the feature and it broke our hearts when we realised he’d been ‘composing around’. But that’s musicians for you.
Our film ‘Violet’ was showing on Sunday 17th in the ‘Whoopi’s Shorts’ programme which was curated by Whoopi Goldberg and consisted of eight international animated shorts. The programme (like the rest of the festival) was really well organised and they took great care of us (especially Alice Burgin and Lauren Kleiman, the shorts filmmaker co-ordinators).
It was quite an honour to be in the programme as they were the only animated shorts in the festival and, after a red carpet event with Whoopi, we all got to talk with the lady herself. She was gas and it was a real pleasure to chat with her about our film.
After that it was time for the screening. It took place at the Tribeca Festival Hub which probably seats about six or seven hundred people. The place was packed and it was really nice to meet up with programmers Sharon Badal (again) and Megan O’Neill.
“Welcome to my shorts” announced Whoopi before confessing that this wasn’t the first time she had uttered those words. It was a brilliant programme and all the films got a great response. Whoopi then held a Q&A with the filmmakers. She was a great MC and Maurice did us proud.
After the screenings we all went for a drink to calm our nerves… before having a few more drinks to even further calm our nerves. Then, that evening, Tribeca put on a very slick and fun short filmmaker’s party where our nerves reached a state of calm that would impress a Tibetan dream yogi.
Despite our memories of that evening being a little patchy (apart from Nuria’s - she managed to control herself at the free bar), the Tribeca Film Festival is something we won’t forget and, hopefully, we’ll be back there some day soon.
Throughout my babble, I had hoped to casually name drop some of the actors we met along the way but I’m not that good a writer so here we go:
Nuria and Maurice met Danny DeVito and Steve Buscemi at one of the live action shorts programmes. Apparently Danny DeVito’s film was brilliant. I missed it all but they had photographic evidence of their star studded evening… which they showed me every day.
We also got to meet Matthew Modine after our screening and he had lots of nice things to say about Violet. But then again, people will say anything to get away from you when you corner them outside the festival toilets…
Boston Irish Film Festival
Wednesday - 20/04/15
We’ve been lucky with More Than God. We’ve been accepted to over 20 festivals so far. I’ve tried to attend as many festivals as possible. You start to judge festivals on a list of criteria - hospitality, opportunities and audience attendance are pretty high on the list. I have to start this piece by saying that the Boston Irish Film Festival is the best festival we have screened at.
We were picked up at the airport by our driver, James. A real Bostonian. I had just watched Black Mass on the plane and Dave shared some of the real stories of Whitey Bolger. ‘He was not a nice man, they don’t even show the half of it’. Welcome to Boston. Siobhan was waiting for us at the hotel as promised. We met Mark Noonan the director of the amazing feature You’re Ugly Too. More Than God was to be the curtain raiser for Mark’s film.
The festival arranged for us to travel to the cinema 30 minutes before the screening so that we could check the projection. Usually this is something you have to request yourself and if you do it’s often not met with the best reaction so to be offered the chance to do it was amazing.
Our films played in the main theatre which is a beautiful old gold gilded two tier auditorium.
There were approximately 700 people at our screening. SEVEN HUNDRED PEOPLE. It was like a rock concert in fact U2 did a concert in the same room a few years ago. The audience was amazing. The incredible attendances continued throughout the festival. It seemed every single screening came close to a full house. I’ve been at many festivals that have gathered wonderful content from around the world but the promoters have clearly failed to engage the local community resulting in screenings only attended by other film makers. It makes such a difference to have your film played to an array of people.
Dawn who runs the festival is amazing. Every single person involved from staff to the seemingly endless volunteers know exactly what they are doing and what their role is. A lot of the time when you have a large body of volunteers the biggest problem is that they do not know what is happening or what needs to be done. That was never the case here and is a total credit to Dawn. I also have to mention Siobhan and Caroline who were great.
The selection of films was brilliant with lots of brand new stuff from Ireland and some classics. Michael Collins played for the year that’s in it. There was also a gala screening of Garage with Pat Shortt in attendance. Pat Shortt is a total legend with a savage appetite for craic. They surprised at the q&a with an impromptu session. Handed him a tin whistle and away they went. Marvellous stuff
So all in all the experience was pretty great. In an environment like this it would be easy to lose the run of yourself. Thankfully Pat Shortt was ready to bring me back down to earth when needed. I brought a 360 degree camera with me. I was showing off at dinner one evening taking photos of the whole table (both sides) with the camera setup in a central position. The photo was passed around the table and was met with welcome amount of “wows” and “oh that’s actually really cool” and the odd “ the future hah!”. After looking at the photo Pat asked where I bought the camera. Delighted with myself, I started waffling on about its function and resolution and other nonsense. Pat gently stopped me half way through the story, leaned in and said ‘dya know they take the 1 and the 2 euro coins in the shopping trolleys down in Aldi’ then out of the side of his mouth said to the person beside him ‘I only asked where he feckin bought the thing’ Back in your box Cahill.
Dreaming in Gold
Wednesday - 02/02/16
Below is a good article on Stutterer's recent festival and Oscar success!
Young film makers quite often have to make huge sacrifices in order to both fund and get their films made. However, such sacrifices can be spectacularly rewarded, as in Ben Cleary's case, with his first short film winning the Oscar lottery!
Ben's story should certainly inspire other film makers to do as the Academy banners proclaimed: "Dream in Gold".
Director's Blog - Ivan Barge on Clermont
Monday - 22/02/16
Invariably when you submit a short film to a festival you know a little bit about it - like where it is, the sorts of films they program, and how much prestige it carries. But it’s only when your film's accepted and you actually go to the festival you really get to learn about it. That was certainly my experience when our short film 'Madam Black' was selected for the 2016 edition of the Clermont International Short Film Festival, which is the world’s leading film festival dedicated to short films. It's also the largest - with around 160,000 attendees, over 6000 of whom saw our film. But wait I’m getting ahead of myself…
Travelling to festivals when you live in New Zealand is difficult, both financially and logistically. It’s a country far away from pretty much everything. Fortunately, the New Zealand Film Commission as part of their Talent Development mandate came to the party and funded my trip. And so it was that I left New Zealand with my travelling companion, ‘Madam Black’ - a taxidermy cat and one of the stars of our film.
Prior to arriving in Clermont I got to spend a few days at the Santa Barbara International Film Festival where we were also screening. Being close to Los Angeles, the festival is a mecca for the film industry in the run up to the Oscars, and as such the quality of the panels was incredibly high. When I mean high, I mean a Q&A with Johnny Depp; a producers panel with producers from Oscar nominated films such as ‘Room’, ‘The Revenant’, ‘The Big Short’, ‘Spotlight’ and ‘Brooklyn’; a writers panel with Charlie Kaufman and Alex Garland. You get the idea - it was impressive.
I’d like to say my journey from Santa Barbara to Clermont was enjoyable, but any joy was sucked out of the trip by a cancelled flight, misplaced luggage and a missed connection, which resulted in a thirty-hour journey that saw me arrive late at night into Clermont. If you can picture a dishevelled, solitary figure walking out into darkness and pouring rain, pulling a suitcase and clutching a dead cat, then that sums it up. Needless to say, I was in the bar within twenty minutes of my arrival in Clermont - a new personal record.
The bar was where I finally got to meet the lovely team from our distributor, Network Television Ireland, Derry O’Brien & Sadhbh Murphy (Pronounced "five" with an S, which was great to know as it had been bugging the shit out of me). At this point, I should mention that I have two rules when travelling with ‘Madam': first, she goes everywhere and I mean everywhere, and second, you play it straight - as if walking around with a dead cat under your arm is the most normal thing in the world. Derry was very impressed with my furry friend, and I was equally impressed by their passion for short film and for helping filmmakers get their stories out into the world.
The following day I attended my first screening of the film in France. As always, on my way to the theatre, I received some strange looks. One of the best things about carrying around ‘Madam’ is seeing people walk in to lampposts. What was extraordinary though was the audience's reception of the film. To say the screening went well is an understatement: we received a standing ovation, and afterwards I was mobbed by a queue of audience members asking for pictures with the cat and my autograph. It was quite surreal and something I will never forget. When you work on a film for so long you often lose track of why you put yourself through such an ordeal. But when you get a reaction like that, it becomes abundantly clear and incredibly gratifying.
The amazing thing about Clermont is that for just over a week, short films - which in New Zealand are very niche - become the life blood of the town. People of all ages fill movie theatres (and even swimming pools, see pic - Ed) to capacity and often queue for up to an hour to get a seat. The festival started in 1979, and had very small beginnings. Over the course of the almost four decades audiences have been cultivated. You see troops of school kids from as young as five marching in line to attend screenings, which means generation after generation in the city have a love and appreciation for the medium of short film. It's truly wonderful. The city even boasts a resource centre, La Jetee, which is dedicated to the heritage of short film. Members of the public can go for free and watch any of the 42,000 films that have been digitised from a selection of 62,000 in the archive.
The people of Clermont were very warm and kind, and over the next few days, everywhere I went I would hear whispers of ‘Madam Black’. People would come up to me and give me a thumbs up or say things like ‘magnifique’ and there were many kind comments about the film on the audience review page online. I was beginning to wonder if ‘Madam’ had become a hit in Clermont. By the end of the festival, my hunch was confirmed. We won the Prix Du Public in the International Competition, the biggest short film Audience Award in the world. Previous winners have included Mike Leigh, Nick Park and Shawn Christensen, with his film ‘Curfew’ which went on to win the 2012 Oscar for Best Live Action short. It felt pretty good walking out on to that stage, it certainly made me feel better about travelling half way around the world carrying a dead cat.
I probably won’t have another film at the festival, as our next project will be a feature, but I’d love to return one day and sit amongst the people of Clermont in a packed theatre, to take in the atmosphere and enjoy some great films.
Clermont and Back!
Friday - 19/02/16
Derry and Sadhbh are still on a short film high after a particularly successful Clermont Ferrand last week! http://www.clermont-filmfest.com/
Not only does NITV represent two of the shorts in the international competition but one of them actually won the international Audience Award! Madam Black directed by Ivan Barge (included on our newest shorts package) took home this prize - with the director and the film's stuffed cat star, Madam Black, present! We admit that Ivan and Madam may have had a few beers with Derry and Sadhbh. Ivan and Madam also visited them and fellow distributors (Ouat Media, Premium Films and SND Films) at their 10th annual buyers' dinner on the Tuesday night, after one of their screenings. This included 16 of their most valued short film buyers from the market. Needless to say there were many "selfies" taken with Madam! She may be somewhat constipated but boy can that cat party! The dinner went great generally and a big thanks to L'Aoc restaurant for the delicious meal there and excellent service.
NITV was equally proud to represent their other short in international competition, Change in the Weather, by Kerryman Muiris Crowley. This extraordinary film was one of the only two Irish shorts selected in competition at the festival. This is Muiris's first film and Clermont was its international premiere. Good going, and hopefully plenty more festivals to come! It received a great reception at the packed out Clermont theatres. Both Muiris and his brother Shane were there briefly and enjoyed their first Clermont Ferrand experience. It still delights and amazes international filmmakers and other industry folk coming to Clermont, how huge a public audience this festival draws. And this year shows that the appeal of shorts is as strong as ever with les Francais, with long queues into every cinema everyday and packed out programmes.
The festival's industry market was as useful and productive as ever, with plenty of buyers, distributors, festivals and of course producers and directors about. As usual, this was the main focus for Derry and Sadhbh's trip, who were kept busy with 22 meetings in just two and a bit days. (Special thanks to the Clermont staff who kept the media rendezvous area running as efficiently as ever.) It was great to meet up with old, new and returning International buyers. The absence of the legendary (now retired) KQED San Francisco buyer Scott Dwyer was felt though, both at the meeting tables and in the videotheque booths where he spent an incredible amount of time. His passion for finding good shorts for his Imagemakers series was almost unrivalled!
Another highlight of the trip (besides the welcomed upgrade of the Holiday Inn!) was the annual Short Film Festival Conference Assembly which took place on the Monday evening, chaired by Tim Redford of Clermont Ferrand and Frank Moens of Leuven Short Film Festival, Belgium. This annual gathering is a unique opportunity for dozens of worldwide short film festivals to come together in one room to discuss and vote on proposals and policies within the group going forward. That's pretty much all we need to know about the general modus operandi of these prestigious festivals. It always reminds Sadhbh that maybe, just maybe, this is like a tiny snippet of how the UN conventions work a bit. With no humanitarian crises. Or suits. Anyway it's always a great opportunity to meet these great festivals and Derry and Sadhbh find such interaction invaluable when it comes to us suggesting festival strategies to our Irish and international short film clients. Naturally, some post-prandial libations were shared with friends from Encounters, Indie Cork, Sao Paolo, Sapporo, Glasgow, Show me Shorts New Zealand, Leuven and many more.
NITV's last high of the festival was being invited to the SNCF 'Prix du Polar' screening of the final 6 crime themed shorts in an annual national competition now running for 4 years. This included last but not least our very own Mr. Invisible, directed by Greg Ash (eventual winner to be announced soon, as voted by train travellers and cafe and museum goers where the shorts are played around France for 12 months...watch this space!) This was accompanied by a luxurious champagne brunch while we viewed them and it was the perfect end to a great festival. Thanks to Roland Nguyen and Pauline Desportes of SNCF for their exceptional hospitality. Now if only we could persuade our rail service, CIE to operate a similar genius scheme!
Then a tired but satisfied Derry and Sadhbh said goodbye to Clermont Ferrand and headed off on the 9 hour trek home through Paris CDG airport, very happy with the generally enthusiastic responses from our international clients to our new short films, particularly Stutterer, Dubliner Ben Cleary’s Oscar® nominated short film.
Now bring on the sales!
Director's Blog: Dreaming of Peggy Lee
Tuesday - 29/10/15
Director James Everett shares his experience of screening the fantastic Dreaming of Peggy Lee to audiences in Chicago. This film went on to win the Children's Jury Prize—Live-action Short Film at Chicago International Children's Film Festival!
This morning we travelled over to Chicago’s Music Box Theatre. I have never seen a cinema like it. We all felt like we had stepped back in time with its early 20th century décor and proscenium arch replete with a humongous velvet curtain draped in front of the screen. It all seemed very appropriate for our film Dreaming of Peggy Lee, which sees its two main characters step back in time to a 1940’s jazz club.
The screening was attended by nearly 250 school children. Before the shorts programme even began this audience were showing loud appreciation for just the festival’s animation promo. Lots of clapping, cheering and laughing. This is not the kind of reaction you get from a British audience. The jet lag suddenly cleared and we were all a lot more aware we were in the USA.
High Hopes was the name of this shorts programme, and judging by this audience response this category lived up to its title. Moreover it seems that an audience of children are completely uninhibited to vocalise their reactions to the films, whatever the emotion may be.
When Dreaming of Peggy Lee played the children were rooting for our heroes right from the start. All the oohs and ahs and cheers were expressed so much the teachers had to shush the children down three or four times.
This was a unique experience for me as the director but also our star cast Will Palmer (co-lead) and Charlotte Jo Hanbury (Peggy Lee Singer) who witnessed first hand just the kind of effect their screen time could have on an audience.
Later the same afternoon, we were all invited to Nettlehorst Elementary School to attend another screening as part of the festival’s ‘Director in School’ section.
This was to be something that would put us all on the spot… we could’ve spent the whole day talking to these children. There was never less than half a dozen hands in the air at any one time with kids eager to ask questions or to make their comments.
The questions came thick and fast, some of them so astute that no adult audience member has yet been as perceptive in their response to this film. Filmmakers who want to test their film for narrative coherence and clarity should get a class load of kids to feedback to them. I think I passed the test, but thankfully we were well rehearsed from the earlier Q&A at the Music Box Theatre.
The kids asked Charlotte to sing for them there and then, and Will had a barrage of questions about his experience making the film. Will spoke about his life as a Deaf child and it was humbling for us all to see how maturely the children considered the implications of what is normal, and the concept of different over disabled.
To have the themes of your film up for discussion in a school exercise such as this was a truly one-off experience and utterly unique.
At the end of the session as the kids filed out, Will and Charlotte were mobbed for autographs and hand shakes. One of these 90 children walked past Charlotte, choosing not to shake her hand or ask for her autograph, but instead informed her, ‘no not you. Just Will.’ I consoled Charlotte by reminding her that about 50% of the children weren’t interested in meeting me but just filed past as though I wasn’t there.
You cannot beat a child audience for honesty and truthfulness. However it must also be noted, that neither can you beat a child audience for appreciation and applause.
Roll on the next screening!
Wednesday - 30/10/15
The shorts programme High Hopes screened again today, this time at the Facets movie theatre. The cinema was at capacity with some of the students having to sit or stand to watch the films.
Once again Dreaming of Peggy Lee was a real hit with the audience and Charlotte and I received a very warm welcome from everyone as we came to the front.
This bunch of students were 8th graders and they had all sorts of intricate and specific questions behind the filmmaking process. The Q&A turned into something of a workshop at one stage when I was explaining about how and why you may choose to shoot your film a certain way. These kids were more like a film school class. I never would’ve had anything like their film savvy questions and knowledge at the age of 13 or 14.
Later I learned that the school they came from was attended by the writer of Grease and was the model for Rydell High in the film. Film is definitely something much more under the skin of youngsters in Chicago.
Thursday - 31/10/15
The full Dreaming of Peggy Lee team was now in town. Aryana Engineer had joined us today along with both her father and publicist. With eight of us in toe we were the biggest party representing any film at CICFF. Whilst there was a very tempting line up of films programmed for Halloween night we decided it would be rude not to hit the streets of Chicago on this particular occasion…
If you didn’t already know, Halloween is taken a little more seriously in the U.S. We got a hot tip from the festival to head to a street called Burling to go trick or treating. It was like a giant street party of scary looking children and parents. Queues of kids were politely formed at each house, all of which bearing this annual duty with tremendous pride and spirit. The haunted house of horror look got to seem pretty normal in this street. Furthermore, the elaborate decorative lengths gone to were only matched by the generosity of these householders. Dishing out enough chocolates and sweets to satisfy hundreds upon hundreds of candy hungry kids is going to be costly. I think the feeling was that these neighbours were rich so who cares? Needless to say, our two child-stars walked away with carrier bags filled with delights.
The night carried on as good as it started with a Mexican meal out and then hitting a party in down town Chicago thrown by one of the festival directors. This was yet another display of incredible warmth and generosity. There was even an impromptu screening of Dreaming of Peggy Lee, which everybody loved. The kids were made a real fuss of by the other guests; they got to feel like rock n’ roll movie stars for the night. Because they were.
Friday - 01/11/15
The last day of the festival. We were all shattered from the previous night’s hell raising and chocolate looting but had a screening to attend that afternoon. This was Aryana’s first Q&A with an audience (ever) and she was very nervous. She did great, although she got away away lightly. This was the first show we attended in the festival that wasn’t sold out. It was a gorgeous Autumnal day in Chicago and I guess some people couldn’t resist being out in the sunny climes over the darkened indoor screening room.
However when it came to the awards ceremony held in the same movie theatre that evening, it was full to the brim. The master of ceremonies was the representative of the children’s jury, who had all our hearts as soon as he stumbled on his first word – and this was way before he got to the filmmaker’s names from the Czech Republic or Japan. He did a wonderful job and it seemed appropriate that the Children’s Jury section was hosted by one of them.
To our delight the Children’s Jury voted Dreaming of Peggy Lee 1st Prize Winner of Best Live Action Short. I got up on stage and made a garbled speech about what an utterly unique and one-off experience this whole festival had been for all of us. It’s true for so many different reasons. We all felt quite emotional and very proud – especially the parents of Aryana and Will. To be honoured with this award was the perfect end to such special few days being reunited together in a city that gave us all so much pleasure.
Or perhaps the real final end was the wonderful Italian meal the festival treated us to after after the show, along with the other award winners present. This last supper summed up what our overall impression was of Chicago and this festival in general - a place of such warm hospitality and fun.
Tuesday - 06/10/15
Derry and Sadhbh have started their MIPCOM campaign today! Plenty of meetings and networking already (including the excellent Northern Ireland on Screen lunch today!) Please email (email@example.com) or call us to arrange a meeting down here between now and Thursday.
The Martian - Review
Tuesday - 29/09/15
In recent years we’ve seen a number of big-budget films make a claim to the space-science crown. Gravity had audiences reeling in their seats as they watched Sandra Bullock cartwheel from wreck to wreck roller-coaster-style high above the planet Earth, while Interstellar had us racking our brains over the time-bending consequences of relativity. In both instances the science took more and more of a backseat in the name of drama; which leaves you feeling a little cheated given that both films’ scientific accuracy had been sung loud and clear before release.
It’s the fact that The Martian needs to make no such compromises to drive the action that makes it so impressive. It leaves an audience feeling like they are in good hands when a film doesn’t need magical technologies or impossible physics appearing from nowhere to bail the characters out of danger.
Mark Watney (Matt Damon) is stranded on Mars due to entirely plausible circumstances, and the dangers he faces are just what you would expect: starvation, thirst, storms, suffocation, unreliable technology, and the crushing burden of being forgotten and alone. There are no aliens, no lasers, and precious few explosions; this is a story about physics and ingenuity – a fresh take on man vs nature.
This technological ingenuity takes such centre stage that The Martian could be called MacGyver-in-space, and you can’t help but be in awe of Watney’s sure-handed approach and implacable problem-solving. In this way the film is ever so slightly too aware of itself: “I’m going to have to science the s**t out of this,” Watney declares while considering how to feed himself on the red planet, but the film’s enthusiasm for its subject matter is so genuine it’s hard to hold moments like this against it.
The ever-likeable Matt Damon’s delivery is typically understated, with emotional cracks only appearing under the most severe duress – otherwise Watney is played with a certain grand-standing cockiness; a bravado that one can’t help suspect might be at least partially to shield him from despair. At 44 Damon looks to be in the best shape of his life, which only lends credibility to scenes of his character single-handedly dragging industrial equipment around the red desert.
The 141 minute runtime definitely leaves you feeling like the ending is a little drawn out, especially with an entirely unnecessary epilogue that seems to be included as much because Scott couldn’t settle on how to end the film as much as anything else. The pacing is otherwise spot on, with threats and solutions appearing in unexpected ways throughout.
The Martian is polished, confident, spectacular, and entirely in love with space and science – and if you like either of those things even a little bit you’re going to love it too.
- Gary White
THE VIOLET TEAM AT TIFF 2015
Mark Hodkinson, the writer and co-producer of the wonderful animated short Violet, kindly agreed to keep a diary of his experience at the Toronto International Film Festival, which is on right now! Violet is the only Irish short screened in competition at TIFF this year. It is narrated by Aidan Gillen. It has already qualified for Oscar 2016 consideration, after winning the James Horgan Award for Best Animation at the Galway Film Fleadh 2015.
We had our first screening in Toronto last night and it was great to meet TIFF's Laura Good and Danis Goulet who were there to greet us with our tickets and wish us luck. 'Violet' got a really good reception which we were delighted with as it was right in the middle of a really strong programme of shorts.
Laura also set us up with tickets for an after party where Nuria and Maurice showed Canada some new moves while I held the coats. It was a late one and we're all feeling a little 'weird' today but that could be just hunger on my part. I didn't get a meal on the plane. I'm pretty sure one of the others ate it while I was sleeping. You think you know people and then something like that happens...
We hope to hear more from Mark soon!
The TIFF staff have been brilliant all week and, along with the great films on offer, there are really well organised events arranged for each day. Yesterday we attended the Shortcuts Connections Round-tables sessions where you had the opportunity to talk with an impressive line-up of distributors, sales agents and festival programmers - all very helpful and interesting. After that there was a TIFF cocktail party for all the Shortcut directors and producers which was a lot of fun.
In fact, it was so much fun we're on our way back to the hotel now to see if anyone handed in Maurice's trousers...
MORE THAN GOD - DIRECTOR'S BLOG
Kev Cahill, our prospective new client and an intrepid Writer/Director, kindly agreed to our request to keep a diary of his recent attendance at the Rhode Island Film Festival. His debut short film, More Than God, had been selected in competition and was being premiered along with seven other films, at the Opening Night Gala Screening. Here is his initial account of his “Road to Rhode Island”. We knew it would be fun! Let us know what you think of it.
I set off for Rhode Island from London on Monday morning August 3rd.
We just finished a job I was on in Shepperton Studios and I needed to bring all my stuff back to Dublin before heading for the states. I stuffed the car to the gills and hit the road. The car in question goes by the name of Annie LeBouef. A 1987 Mercedes. Admirers say "fine car in it's day" implying that that day has passed. Nowadays it refuses to start without expelling a large plume of black smoke. I pretend to be fine with this when the mechanic says things like "she's grand, just showin signs of her age" The more signs of age you show the quicker you gravitate toward no signs at all in particular the vital ones.
We got to Colwyn Bay in Wales before we started hearing strange noises above the already very loud engine. It was a beautifully hot sunny day in wales. We popped the bonnet and pretending to know what I was doing I threw about 4 litres of water at the engine. The noises stopped and we made the ferry. Phew.
I spent the night in Dublin and got up early to get the flight to Philadelphia and then on to Boston. The plan was to get a train from Boston to Providence. I was due to land in Boston at 16:34 from there I had to get the train to Providence. I worked out that getting out of the airport and getting to Providence would take me around 2 hours at least. Our film was chosen to be shown on the opening night with a screening at 19:00. Basically I was cutting it fine. I bought a bottle of whiskey and large bag of mini crunchies in duty free and set off. Dublin - Philadelphia went off without a hitch. I had 45 minutes to get through the airport in Philadelphia and get on the flight to Boston. I was a hot sweaty mess as I ran toward the gate with shouts of last call ringing through the tannoy. We boarded the plane. The plane was packed so I had to put my bag in an overhead locker about 7 seats behind me. I was already thinking about how this could effect the quick exit off the plane in Boston but what could I do. The motors started. We taxied (I think that's the correct verb) to the edge of the runway. Here we go. I looked out the little window and thought I'm very lucky, this has gone so well, I'm going to make it on time, this is meant to be, unbelievable, without a hitch, Rhode Island here we come... The engines stopped. The pilot informed us that there was a "delay on the ground at Boston" we would be delayed 15 minutes...
After the first 15 minutes he told us it would be another 30 minutes. I didn't eat much on the first flight in the hope I would find something good when I landed. I was ravenous. I saw the air hostesses bringing some cereal bars and pretzels and the like through the aisles. They stopped after first class. I've never thought of cereal bars as a first class bonne bouche but jesus god above they never looked so good. Our hosts of the air eventually got around to us plebs at the back. I asked for a pastrami sandwich which was on the menu. She laughed at me for being so ridiculous they don't serve food on such a short flight. This is fine in practice but at this stage we'd already been sitting on the runway for as long as we were meant to be in the air. Bringing me back to the other major stress. I was already cutting it fine for time if we arrived on time in Boston but we were already over an hour late. It was now impossible for me to make it to Rhode Island by 7pm no matter what happened. By train it would be after 8pm by the time I got there. Step in Mick and Emily to the rescue. My cousin Emily lives in Boston. She saw a hapless attention seeking comment of mine on facebook and immediately sent me a message "Sure we'll take you for the craic" the beauty of that message - I was soaring. We all know there is nothing better than arriving into a strange town and to have someone waiting for you at the airport. Someone who knows what they're doing and is just going to sort it all out and tell you where to go or take you where you need to go. It allows you to turn off all that stress of having to find the right train and get off at the correct station so you can make the transfer at the ideal time on the perfect platform. Switch it all off and give yourself over to a local. And then also to have that local say they're coming to get you purely "for the craic" not for the glory or because it's their job or because they feel obliged but just free and easy lemon feckin squeezy for the craic. Poetry in motion.
I got excited by a low dull rumbling. It must be the engines starting up again, I thought. Unfortunately it was my stomach. Gorta mor agam mo chairde. Then I remembered the crunchies. DELIRA DOLITTLE. YOU CAN STUFF YOU'RE FECKIN CEREAL BARS. I walked the 7 seats back reached up and took out the bag of Crunchies. I caught the eye of a boy and his mother as I took them down. I could tell they were family by their identical drool. YES PLEASE they shouted before I'd barely even lent the bag towards them. I looked down the plane it was like meerkat manor on a quest for that Friday Feeling. I was already 7 seats away from my own seat so there was no escaping it. I shoved 2 in my pocket for myself and we loaved and fished the hell out of it. No sooner had I got to the end of my rounds the engines started up and the air hostess seething with jealousy of my superior candy told me to "please" take my seat. We were on our way.
Mick and Emily picked me up from the airport and we hit the road for Providence. According to the sat nav we were going to get there by 7:30. Possibly missing the first half hour of programming but I think we would still get to see More Than God. Mick had some food which he got from a food truck before they picked me up. As he gracefully put it himself "I'll leave ya the arse on it" let me tell ya an arse has never tasted so good. We arrived at the Providence Performing Arts Centre at 7:30. Thankfully the screening was running on a Irish type schedule and they were still getting through the welcoming speeches. They showed our film and it got a great reaction. Alongside it there were an amazing selection of short films, animation, documentary and live action. It was amazing to be in playing along side these other hugely successful films in this prestigious stunning theatre.
What a great start to the week.
GALWAY - THE BEST FROM THE WEST!
Friday - 17/07/15
Derry, Sadhbh and Aoife were excited to attend the Galway Film Fleadh last week for shorts, features and a spot of socialising! It's always great to meet new industry folk and catch up with our filmmakers, producers and international festival friends. For the third consecutive year, we were the sponsor of the Tiernan McBride award for Best Short Drama. This went to the short NORTH directed by Phil Sheerin.
Both this award and the James Horgan Award for Best Animation Short are Academy Award qualifying.
We were very sorry to have missed Simon Fitzmaurice's feature debut My Name is Emily, which was the opening film. We were very happy to see it won the Cinematography and New Talent awards for cinematographer Seamus Deasy and producer Kathryn Kennedy respectively.
We're delighted to have identified some brand new shorts which premiered at Galway, as suitable for our catalogue. These include the very touching Death of a Projectionist directed by Jonathan Beer (and produced by Brian J Falconer, of Boogaloo and Graham fame!) and More than God, the hilarious comedy produced and directed by Kev Cahill. We look forward to representing them internationally, along with hopefully several other new Irish shorts.
Other screenings which stood out for us were Nancy Corrigan, the TG4 documentary by Gillian Marsh, which screened in the Town Hall on Friday, and A Shot of Whiskey, a US music documentary directed by Steve Graham. Other highlights of the weekend included an amazing seafood dinner at McSwiggans restaurant and meeting John C. Reilly at the Rowing Club (even if he denied Sadhbh a photo!)
Derry was particularly delighted and privileged to receive a ticket for the the sold out world premiere of The Survivalist, from first time Northern Irish director Stephen Fingleton. It is a tough, uncompromising but engrossing film with terrific performances from Martin McCann, Mia Goth and Olwen Fouéré. It is going to take the international film festival scene by storm, Derry is convinced!
It's Finally Here!
Monday - 08/06/15
It's finally here!
Network Ireland Television is proud to announce the launch of our brand new website! We welcome you to the home of our latest multi-award winning shorts, documentaries, TV series and features from both Ireland and around the world. Feel free to browse through it for our current catalogue. All screeners available online or on DVD! Simply email firstname.lastname@example.org
Derry has returned from the Cannes Film Festival's Short Film Corner, after meeting many producers, filmmakers, international festival programmers (Palm Springs, SXSW, Chicago Children's Film Festival), our French broadcast buyers, and film funding agencies like the New Zealand Film Commission and Rankin Productions U.K.
It wasn't all business though, as you can see from this picture! Taken at the Indieflix Black Tie Yacht Party, looking dapper alongside Shorts International's Chris Tidman.
Derry was also in attendance at the Creative Scotland Beach Party during the Festival, which ran from the 13th to the 24th of May (See the winners here: http://www.festival-cannes.fr/en/archives/awardCompetition.html)
Network Ireland Television will once again be in attendance at the Galway Film Fleadh 2015! We will be hoping to add a number of quality Irish shorts to our expanding catalogue, after attending the shorts screenings at the weekend (9th-12th July).
NITV is a proud sponsor of the Tiernan McBride Award for the best short drama for the third consecutive year. Our commitment to quality short films for over 20 years, has meant that we have represented 14 Oscar nominated shorts over this period, including two Oscar winners, The Shore (2012) and The Phone Call (2015).
Finally, Network Ireland Television is delighted to have recently added three very strong new short films to our catalogue: Oscar Wilde's The Nightgale and the Rose, The Swing, and Dreaming of Peggy Lee. See "Newest Shorts" above for details!